So I was riding in my pickup listening to Nas' infectiously catchy "I Can." The sound critiques European colonialism, so I thought it was ironic that it quotes Beethoven's "Für Elise," until I remembered the theory that holds Beethoven was black.
On the subject of Germans of color, the Gray Lady is running a story on Turkish-German youth, which profiles filmmaker Neco Celik and the emerging hip-hop subculture within Gastarbeiter communites.
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