This is linked today on Slashdot, but since this blog is hosted by the University of Texas' department of Radio-TV-Film, its worth posting here. This NYTimes story describes how a Clear Channel subsidiary uses a database of sound bites from Carson Daly to create localized countdown shows for each of the radio market they serve. Engineers assemble a pastiche of soundbites to make it sound as if Daly is reading the countdown for the local audience, when in fact the petri-dish grown personality is as live as the feminine voice on the telephone network you need to start your call with a "one" or a "zero."
I'm particularly amused by this Anonymous Coward post, where the poster defines the word "Simulacrum," which I suppose is a fairly obscure concept for people who don't eat, sleep, and breath post-structuralism, then goes on to say:
Simulacra and Simulations, by Jean Baudrillard, is the book in which Neo hid his diskette. I started reading it and was amazed by the relevance of the concept of the 'simulacrum' to The Matrix.
Yeah, like the movie references the book for no reason in particular.
Ahhh, yes...but was it the original French version?
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